Guest post: Why your first vintage pen oughtta be an Esterbrook!

7 10 2009

So a few days ago, Bruce made a comment on my blog that probably got him a little more than he bargained for…he suggested more guest posts, so I drafted him. 🙂 He graciously accepted (not that I would have let him off the hook very easily) my demand request for a piece about the pens that really have his attention…Esterbrooks!  (I knew Bruce was big into Esterbrooks, and I hadn’t had the chance to write a piece about them yet, so I figured he was definitely the go-to guy for this one!)

So, without further ado, here’s a few thoughts (and some scrumptious photos) from Bruce about why Esterbrooks should be high on your list for a first vintage pen.  Thanks, Bruce!  I knew I could count on you, and I really appreciate you stepping up!

Estie Spread

When the time comes for you to consider your first vintage fountain pen, the multitude of examples still readily available from the various 1st, 2nd and 3rd-tier pen companies popular during the heyday of fountain pens can be stupefying.  Though the name Esterbrook may not come to mind as quickly as the more recognizable names such as Parker, Sheaffer’s or Waterman’s, I feel there are numerous reasons why and areas where Esterbrook excels above all the others. In the areas of variety, lasting quality, durability, ease of repair and restoration, cost and especially adaptability, you’ll be hard pressed to find another pen company that can provide today, in their vintage pens of yesterday, what Esterbrook can.

The most widely available J family series of Esties came in 10 different colors and 3 different sizes. There are the SJ and LJ models, both slightly thinner with the SJ being a bit shorter for those with average to smaller hands. The “full sized” J comes pretty close to the size of many modern fountain pens. Almost all of those colors and sizes also existed in the Dollar pen family by Esterbrook that preceded the J family though being older, the Dollar family is a bit harder to find today. Combining all those colors and sizes gives you a range of possibilities unequaled in my opinion by any other pen maker.  While Esterbrook not only had more colors than most any of the other pen makers, they also had more patterning variations within those colors. Most of the other pen companies were very set and unvarying in their colors and patterns so many of their pens in the same colors look exactly alike. With Esties it’s very likely you can find a variance in color and patterning that you won’t see exactly duplicated in 10 other pens of the same color.

Note the variations in the celluloid of nearly identical pens!

Note the variations in the celluloid of nearly identical pens!

While during their heyday, The “big three” of pendom were courting the customer looking for a “pen of distinction” or a “fine writing instrument”, Esterbrook (IMO) was content to be “the people’s pen”, the (original) VW Beetle or Ford Mustang of fountain pens if you will.  While the big three were fighting it out amongst the individual pen consumers with their visulated celluloids and gold plated (and filled) trim, Esterbrook was selling millions of simpler, less flashy, much less expensive pens to the monstrous Bell System (phone) monopoly, AT&T, AAA Auto club, various school systems nationwide and the “Joe (and Jane) Sixpacks” of the day.

While most of the other pen makers were wowing their customers with visulated celluloid that ambered as it aged  and changed colors due to the outgassing from their ink sacs, Esterbrook used a very durable opaque celluloid that is immune (for all intents and purposes) to those color changes and ambering.  While other pens’ gold plated (and filled) clips and trim rings looked distinctive and “rich” in their prime, today many are discolored, worn and brassed, while Esterbrook’s “plain jane” stainless steel furniture soldiers on looking in many cases as clean as the day it was made over 50 years ago.  Even with an internal component as simple as the latex ink sac, some how Esterbrook managed to excel over their competitors. It is very common today to see Esties with their perfectly pliable and serviceable 50+ year old original “Esterbrook” stamped latex sacs, while the other pen company’s sacs crumbled to rattling chips long ago.

You might wonder where the prior mentioned trait of “adaptability” enters in as that’s not a word you might normally see associated with fountain pens. It comes into play with the manner Esterbrook chose to nib their pens. While the other makers were “blinging” their customers with 14kt gold single and dual toned nibs, Esterbrook stuck to the same theme of stainless steel it did with its clips and trim. Now, don’t be lured into the “Snootinista” position of “it’s got to be a GOLD nib to be a GOOD nib”; that simply just isn’t the case. A properly aligned steel nib can write just as smoothly and flow just as well as any gold nib. Esterbrook called their nibs “Re-New Points” and at times there were as many as 52 different Estie nibs available (yet ANOTHER benchmark no other pen maker could touch). Any and all of the Re-New Point nibs can easily be screwed into all the Dollar and J family pens by the user.

Therein lies perhaps the most effective “secret weapon” that makes the Esterbrook such a winner in the vintage pen arena.  With almost all the other vintage pens, you are “stuck with” the nib the pen comes with. While you can have those nibs re-tipped or replaced by a pen repair person you are usually looking at a minimum of $50 to do that.  (Be sure you make the right choice there, it’s at least ANOTHER $50 if you choose a replacement nib that doesn’t “fit” you.) That same $50 can easily buy you 3-6 different NOS Esterbrook Re-New Point nibs that you can swap around at will in a minute or two yourself.  (Very few if any of the replacement nibs available now for vintage big three pens will be NOS, almost all will be used nibs.) While they are somewhat pricier, in the $25-35 range, there are even flexible Estie nibs available <though some may rate them as only “semi-flexible”> when during the day, the big three weren’t generally fitting flex nibs in their pens.

While there are other less common and more expensive Esterbrook Re-New Point nibs, they generally fall into 2 categories, the 1XXX/2XXX numbered nibs and the 9XXX series nibs.  While a few of the 1XXX/2XXX nibs have no tipping whatsoever and can be somewhat scratchy, most have a tip formed by folding over the end of the nib and soldering the fold along the bottom of the nib point and can write just as smoothly as any “iridium” tipped nib. The 9XXX series nibs have the standard “iridium” tipping on them and are generally slightly smoother and last longer than the other series nibs. While there are a lot of good usable used Re-New Points available there are also still Lots of NOS Estie nibs to be had. The more common NOS nibs are available for between $10-20 depending on the nib series and the specific nib’s popularity. There are numerous locations on-line that show the full chart of all available Esterbrook Re-New Point nibs.  (Esterbrook.net, hosted by Estie guru Brian Anderson, is a great source of Esterbrook info along with Richard Binder’s most excellent page on Esterbrooks on his site.)

In the day, many of the big three’s pens retailed for $10-15 while the lowly Esterbrooks sold in the gazillions for $2-3 depending on mainly your choice of the 2 grades of nibs. Thankfully, the lower prices of the Esties seems to have carried forward to today where even a very good condition example can be found on eBay for $12-18.  Even fully restored examples are readily available in the Fountain Pen Network’s Marketplace for $25-35. (While there are less common Esties than the J and Dollar family pens that command prices in the $150-250 range, those are more the targets of collectors than those searching for their first Vintage pen.)

The ease with which an Estie can be repaired or restored makes their wide availability on eBay a big boon to Estie lovers.  Though it probably wasn’t purposeful at the time, the materials Esterbrook used and the way they assembled their pens make it especially easy for even a non-skilled, non-mechanically inclined person (like myself) to not only bring an Estie “back from the dead” but yes, even easily return them to looking and writing as nicely as the day they were made.

Unlike other pen makers who may have used special section sealant or shellac to secure their nib sections, Esterbrook used only a pressure fit that can often be separated by hand with no tools whatsoever (though some dry heat is suggested to minimize the chance of a cracked section). Even so far as cracked sections go, Esterbrook is known to have used some of the toughest celluloid ever put into pens. Being lever fillers, all that’s usually needed to restore the filler is a new sac, some shellac and some pure talc. The basic supplies to re-sac an Esterbrook will cost about $10 for one pen and only $2 more for a new sac for each pen after that. There are methods using common household materials to polish an Esterbrook you’ve re-sacked for $2 to a mirror like, better than new finish. So, after your initial outlay of $10 for supplies, it is easily possible to buy an Estie in nice shape on eBay, restore it yourself and have a total outlay for that pen of between $15-20.  And you wonder why I like Esterbrooks…

Speaking of “”Why I Like Esterbrooks”. When Ryan and I originally discussed this piece, that was the title he suggested. I, in turn suggested “Why an Esterbrook should be your first vintage pen”.  Hopefully, you can now see that the reasons for each scenario are pretty much the same.

You should be warned though, around the Esterbrook forum on the Fountain Pen Network, Esties are compared to Lay’s potato chips. Just like the chips, once you get one you can’t stop yourself at just one.